There There

Y’all. This book. It packs a punch like no other, and I was captivated by it as the stories began to intertwine and come to a head, to one final moment that brings the characters all together in this gripping tale transcending multiple generations. Gripping is an understatement… when all was said and done, and the novel stopped, I felt myself continue to lurch forward with momentum. I don’t think I can express how deep and beautiful this novel is. I can’t do it justice. But let me back up.Tommy Orange’s novel is difficult to start. When I first began listening via audiobook, I thought I was going to hate it. It didn’t make sense to me. The prologue, which is part of the novel and should be read, begins with a candid retelling of history as North Americans know it–laying bare what the history books don’t teach us, shedding light on the part of history that we’d like to forget and sweep under a rug, never to be seen again. I thought to myself, “is this novel a history lesson?”. No. But yes. Though fictitious, it has many truths, and the experiences of many of these characters are unfortunately all too real. Because those affected by our nation’s bloody history in the past are still affected by it in our present, which Orange makes explicitly clear as his novel commences with the first story from our twelve narrators, Tony Loneman. Truth be told, the first story, Tony’s story, was not how I’d start this novel. I found it a bit dry, and I wasn’t sure where Orange was going with the novel. Then the second narrator took over, and I didn’t see any obvious connections, and I was wondering, “is this novel just a grouping of short stories?”. The stories were just there, and they didn’t entice me. They were just unhitched stories. But as I continued, I began to see the connections methodically woven between the characters, all of which is leading us, the narrators and the reader, to one final moment at the powwow; all of these twelve characters are perfectly interconnected, though they don’t know it as of yet. And as they continue their stories, adding to what we already know, and beginning to converge on Oakland’s Coliseum, the novel takes hold, creating feelings of intense foreboding through Orange’s employ of dramatic irony. The interlude, from which I quoted a particularly stunning section above, floored me, and it was then that I knew, without a doubt, that this novel is a five star read. Orange is matter-of-fact, and he’s hitting on topics that we, as a nation, have fought about for far too long, still attempting to sweep truth under the rug in order to not face the reality of our current world, or who we are, and our sordid history. And while the interlude above is just that, and the narrators barely touch upon what is explicitly stated above–it’s not a novel steeped in politics or in your face–it’s there, calling to the reader, reminding us that privilege exists, that some are luckier than others, and that if we are to survive this harrowing world, we must come together, to understand one another, and to stop the fighting. This novel is fierce.When There There ended, I was speechless. One, I couldn’t believe Orange left us the way he did, but two, it’s just so unspeakably beautiful, thought-provoking, and intense. Five amazing stars!I borrowed the audible of this novel from the library, but then purchased my own paperback copy from Amazon, because this powerful novel is a must for my shelves.

There There is a literary fiction novel written by an Indigenous author. Tommy Orange is a citizen of the Cheyenne and Arapaho Tribes of Oklahoma. This book is set in Oakland, California, where the author grew up. As many Indigenous people, Orange grew up off-reservation.At the prologue, the author lays the foundation to the historical violence and massacre of the Indigenous people - I think the prologue was the best part of this book. In this story we follow twelve different perspectives told by twelve different characters. It discusses the struggles of modern Indians in contemporary society. The reader doesn’t realize at the beginning of the book but the lives of these characters are intertwined by an event that will happen at the end of the story.The author points out the loss of Native American culture to colonialism and also writes about a variety of themes such as family, death, poverty, ceremony, tradition, addiction, abuse, suicide, and memory. This novel is powerful, insightful, and I believe any book that is able to educate its readers is a book worth reading.

“Silence is not just silence but is not speaking up.”There, There is a beautifully written, captivating story of present-day Native Americans living in Oakland, CA. Urban Indians are that generation born in the city. "We’ve been moving for a long time, but the land moves with you like memory. An Urban Indian belongs to the city, and cities belong to the earth. Everything here is formed in relation to every other living and nonliving thing…” "Getting us to cities was supposed to be the final, necessary step in our assimilation, absorption, erasure, completion of a five hundred year old genocidal campaign. But the city made us new, and we made it ours.“The book follows the lives of 12 characters and explores what it means to be an Indian or, perhaps more importantly, feel like an Indian. A formidable look at the life of Native Americans a people affected by dislocation, disjointed identities, fractured families, misinformation, abuse, denial and prejudice yet sustained by culture, tradition and hope.The story line and the characters are eventually drawn into one story when the characters all attend the Big Oakland Powwow. "Here history is celebrated, history is confronted and grieving is renewed." “We made powwows because we needed a place to be together. Something intertribal, something old, something to make us money, something we could work toward, for our jewelry, our songs, our dances, our drum.”This is a ⭐️⭐️⭐️⭐️⭐️ book.even though I found it frustrating to read in places as there's a lot going on and keeping the stories of all 12 characters straight was a challenge. I read the book on audio and think that it may have been less confusing to have read a paper copy.I’ll leave you with this one, unnerving, quote: “This is the thing: If you have the option to not think about or even consider history, whether you learned it right or not, or whether it even deserves consideration, that’s how you know you’re on board the ship that serves hors d’oeuvres and fluffs your pillows, while others are out at sea, swimming or drowning, or clinging to little inflatable rafts that they have to take turns keeping inflated, people short of breath, who’ve never even heard of the words hors d’oeuvres or fluff.You will never look at Thanksgiving the same way again. *****