The Passage of Power: The Years of Lyndon Johnson, Vol. IV

Review ------ “Brilliant . . . Important . . . Remarkable . . . In sparking detail, Caro shows Johnson’s genius for getting to people—friends, foes, and everyone in between—and how he used it to achieve his goals . . . With this fascinating and meticulous account Robert Caro has once again done America a great service.” —President Bill Clinton, The New York Times Book Review (front cover) “By writing the best presidential biography the country has ever seen, Caro has forever changed the way we think, and read, American history . . . Although the a of research Caro has done for these books is staggering, it’s his immense talent as a writer that has made his biography of Johnson one of America’s most amazing literary achievements . . . Caro’s chronicle is as absorbing as a political thriller . . . There’s not a wasted word, not a needless anecdote . . . Most impressively, Caro comes closer than any other historian could to explaining the famously complex LBJ . . . Caro’s portrayal of the president is as scrupulously fair as it is passionate and deeply felt . . . The series is a masterpiece, unlike any other work of American history published in the past. It’s true that there will never be another Lyndon B. Johnson, but there will never be another Robert A. Caro, either.” —Michael Schaub, NPR “A breathtakingly dramatic story about a pivotal moment in United States history [told] with consummate artistry and ardor . . . It showcases Mr. Caro’s masterly gifts as a writer: his propulsive sense of narrative, his talent for enabling readers to see and feel history in the making and his ability to situate his subjects’ actions within the context of their times . . . Caro manages to lend even much-chronicled events a punch of tactile immediacy . . . Johnson emerges as both a larger-than-life, Shakespearean personage—with epic ambition and epic flaws—and a more human-scale puzzle . . . Mr. Caro uses his storytelling gifts to turn seemingly arcane legislative maneuvers into action-movie suspense, and he gives us unparalleled understanding of how Johnson used a crisis and his own political acumen to implement his agenda with stunning speed. Taken together the installments of Mr. Caro’s monumental life of Johnson form a revealing prism by which to view the better part of a century in American life and politics.” —Michiko Kakutani, The New York Times “A great work of history . . . A great biography . . . Caro has summoned Lyndon Johnson to vivid, life.” —Newsweek “Making ordinary politics and policymaking riveting and revealing is what makes Caro a genius. Combined with his penetrating in and fanatical research, Caro’s Churchill-like prose elevates the life of a fairly influential president to stuff worthy of Shakespeare . . . Reading Caro’s books can feel like encountering the life of an American president for the first time . . . Caro’s judgment is solid, his prose inspiring, and his research breathtaking . . . Robert Caro stands alone as the unquestioned master of the contemporary American political biography.” —Jordan Michael Smith, The Boston Globe “A meditation on power as profound as Machiavelli’s.” —Lara Marlowe, Irish Times “One of the most compelling political narratives of the past half-century . . . A vivid picture of how political power worked in the US during the middle of the 20th century at local, state and national level . . . This extraordinary work will remain essential reading for decades to come.” —Richard Lambert, Financial Times “Unrivaled . . . Caro does not merely recount. He beckons. Single sentences turn into winding, brimming paragraphs, clauses upon clauses tugging at the reader, layering the scenery with character intrigue and the plot with historical import. The result is irresistible . . . Passage covers with all the artistry and intrigue of a great novel events that are seared in the nation’s memory. In an era defined by fragmented media markets, instantaneous communication, gadflies and chattering suits, Caro stands not merely apart, but alone.” —William Howell, San Francisco Chronicle “The greatest political biography ever written . . . The most sweeping historical tour de force since Gibbons’s Decline and Fall of the Roman Empire . . . Caro has imprinted himself into history. His work is now the benchmark of political biography.” —Paul Sheehan, Sydney Morning Herald “Riveting . . . Masterful . . . An inful account of what it means and what it takes to occupy the Oval Office.” —Steve Paul, The Kansas City Star “Robert Caro is the essential chronicler of these times: And these times should never be forgotten.” —Joel Connelly, Seattle Post-Intelligencer “Caro’s masterpiece of biography . . . His strength as a biographer is his ability to probe Johnson’s mind and motivations . . . Riveting . . . A roller-coaster tale.” —The Economist “The latest in what is almost without question the greatest political biography in modern times . . . Nobody goes deeper, works harder or produces more penetrating ins than [Caro].” —Patrick Beach, Austin American-Statesman “The politicians’ political book of choice . . . An encyclopedia of dirty tricks that would make Machiavelli seem naïve.” —Michael Burleigh, London Literary Review “Majestic . . . The reporting is copious, the writing elegant and energetic, the sentences frequently rushing forward themselves like mighty rivers. Four books, and nearly four decades, into this vast project, Caro’s commitment to excellence has not wavered or even slackened; the reader can feel the sheer force of his effort on every page.” —Ronald Brownstein, Democracy “By dramatizing the capacities and limitations of the most talented politician of the postwar era, Caro s to make readers shrewder citizens . . . As a student of power, Caro is a Machiavelli for democrats, who instead of addressing the prince, addresses the people.” —Thomas Meaney, The Nation “Astonishing and unprecedented . . . a work of real literature, among the best nonfiction works ever . . . His books . . . argue that things happen because certain people with power want them to happen . . . It is not inconceivable to think that, without the presence of LBJ and the influence on him of his character and his experiences, none [of the civil rights bills] would have won Congressional approval . . . More than operatic, Caro’s Johnson books deserve another adjective, one that matches his genius, his sensitivity and his ambition: Shakespearean.” —Patrick T. Reardon “The best biography I’ve ever read . . . Incredibly well-written, with the tension and drama of a compulsive thriller, and the style of an elegant novel. Caro’s books aren’t just about politics, or just about Lyndon Johnson. His books are about America, its culture, its history, and its society. Above all, Caro’s books are about power, how to achieve it and make it multiply; how to use power and how to lose it.” —Michael Crick, UK Channel 4 News “My book of the year, by a landslide majority, was The Passage of Power. The adjective ‘Shakespearean’ is overused and mostly undeserved but not in this case. LBJ emerges from this biography as a fully rounded tragic hero: cowardly and brave, petty and magnificent, vindictive and noble, a man of vaunting ambition and profound insecurities. Caro marries profound psychological in with a brilliant eye for the drama of the times.” —Robert Harris, The Guardian (London) “Caro is a genius at delineating character, and not just that of the deliciously complicated LBJ. He investigates, among other larger-than-life figures, the Kennedy brothers, the powerful and unbending Harry Byrd of Virginia, and the clownlike but devoted Bobby Baker . . . Caro’s use of strong image and repetition, almost hypnotic in combination, is breathtakingly effective. Caro is a great historian, but if the purpose of art is to stimulate thought and arouse emotion, he is also a great artist.” —Rosemary Michaud, Charleston Post and Courier “A portrait of executive leadership so evocative as to be tactile.” —Robert Draper, Wall Street Journal “The only superstar biographer in the world . . . Caro’s [books] transform biography into something new, a tour de force of structured political opinion writing . . . A single theme emerges: the insidious ways that clever politicians can gather and abuse power—sometimes for good, sometimes for evil—in a modern democratic society.” —Levi Asher, Literary Kicks “One of the greatest biographies in the history of American letters.” —Bob Hoover, Cleveland Plain Dealer “As riveting as a thriller . . . The next book will crown an achievement in presidential biography unmatched among presidential histories.” —David Hendricks, Houston Chronicle “Every page [of The Years of Lyndon Johnson] is compelling. For many politicians it is the finest book on politics . . . The ultimate political story.” —Daniel Finkelstein, London Times “Long live Robert Caro . . . Truly epic political history and character study . . . Riveting . . . It elevates Caro’s tale to Shakespearean drama, as the coldhearted, Machiavellian maneuvering and hot-blooded rivalries of supremely ambitious men play out with the e of the free world at stake.” —Dan DeLuca, The Philadelphia Inquirer “Brilliant . . . A masterclass in political management . . . Caro not only re-creates one of the giants of modern politics, he tells a giant tale about power and about life itself.” —Andrew Adonis, New Statesman “A masterly how-to manual, showing Johnson’s knowledge of governing, his peerless congressional maneuvering and effective deal-making. The Years of Lyndon Johnson is a compact library: brilliant biography, gripping history, searing political drama and an incomparable study of power. It’s also a great read . . . And, after thousands of pages spent with Lyndon Johnson, one of Caro’s singular achievements is that you want more.” —Peter Gianotti, Newsday “The Years of Lyndon Johnson, when completed, will rank as America’s most ambitiously conceived, assiduously researched and compulsively readable political biography . . . When Caro’s fifth volume arrives, readers’ gratitude will be exceeded only by their regret that there will not be a sixth.” —George F. Will “This book shows the mastery of Johnson in politics, and also the mastery of Caro in biography.” —David M. Shribman, Bloomberg BusinessWeek “Epic . . . A searing account of ambition derailed by personal demons . . . a triumphant drama of ‘political genius in action’ . . . Caro combines the skills of a historian, an investigative reporter and a novelist in this searching study of the transformative effect of power.” —Wendy Smith, Los Angeles Times “An addictive read, written in glorious prose that suggests the world’s most diligent beat reporter channeling William Faulkner. Passage is an essential document of a turning point in American history. It’s also an incisive portrait of one great, terrible, fascinating man suddenly given the chance to reinvent the country in his image.” —Darren Franich, Entertainment Weekly About the Author ---------------- For his biographies of Robert Moses and Lyndon Johnson, Robert A. Caro has twice won the Pulitzer Prize for Biography, has three times won the National Book Critics Circle Award, and has also won virtually every other major literary honor, including the National Book Award, the Gold Medal in Biography from the American Academy of Arts and Letters, and the Francis Parkman Prize, awarded by the Society of American Historians to the book that best “exemplifies the union of the historian and the artist.” In 2010 President Barack Obama awarded Caro the National Humanities Medal, stating at the time: “I think about Robert Caro and reading The Power Broker back when I was twenty-two years old and just being mesmerized, and I’m sure it helped to shape how I think about politics.” In 2016 he received the National Book Award for Lifetime Achievement. The London Sunday Times has said that Caro is “The greatest political biographer of our times.” Caro’s first book, The Power Broker: Robert Moses and the Fall of New York, everywhere accled as a modern classic, was chosen by the Modern Library as one of the hundred greatest nonfiction books of the twentieth century. It is, according to David Halberstam, “Surely the greatest book ever written about a city.” And The New York Times Book Review said: “In the future, the scholar who writes the history of American cities in the twentieth century will doubtless begin with this extraordinary effort.” The first volume of The Years of Lyndon Johnson, The Path to Power, was cited by The Washington Post as “proof that we live in a great age of biography . . . [a book] of radiant excellence . . . Caro’s evocation of the Texas Hill Country, his elaboration of Johnson’s uning ambition, his understanding of how politics actually work, are—let it be said flat out—at the summit of American historical writing.” Professor Henry F. Graff of Columbia University called the second volume, Means of Ascent, “brilliant. No review does justice to the drama of the story Caro is telling, which is nothing less than how present-day politics was born.” The London Times hailed volume three, Master of the Senate, as “a masterpiece . . . Robert Caro has written one of the truly great political biographies of the modern age.” The Passage of Power, volume four, has been called “Shakespearean . . . A breathtakingly dramatic story [told] with consummate artistry and ardor” (The New York Times) and “as absorbing as a political thriller . . . By writing the best presidential biography the country has ever seen, Caro has forever changed the way we think about, and read, American history” (NPR). On the cover of The New York Times Book Review, President Bill Clinton praised it as “Brilliant . . . Important . . . Remarkable. With this fascinating and meticulous account Robert Caro has once again done America a great service.” “Caro has a unique place among American political biographers,” The Boston Globe said . . . “He has become, in many ways, the standard by which his fellows are measured.” And Nicholas von Hoffman wrote: “Caro has changed the art of political biography.” Born and raised in New York City, Caro graduated from Princeton University, was later a Nieman Fellow at Harvard University, and worked for six years as an investigative reporter for Newsday. He lives in New York City with his wife, Ina, the historian and writer.

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